By J Brugman
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Additional resources for An Introduction to the History of Modern Arabic Literature in Egypt (Studies in Arabic Literature , No 10)
XVd. XLIIIc) is remarkable for its broad face, which is a Syrian trait in this otherwise Hittite figure. XLIVc), appropriately all in gold, has his crook awkwardly bent (cf. Several of the Carchemish figures (pl. , pl. 207–215, 275–278. 15–43. 50. 58, 110. 59, 202. His mace tends to make him into a god of the thunder on mount Tudhaliya. XLVIc). 225–248. XLVId). This time she rides, and holds by a rein, a sphinx that is itself divine: it has the horned pointed crown of divinity on its human head and, in addition, a lioness' head grows out of its chest.
225–248. XLVId). This time she rides, and holds by a rein, a sphinx that is itself divine: it has the horned pointed crown of divinity on its human head and, in addition, a lioness' head grows out of its chest. In the present instance we see the hunting god with his falcon, shouldering a crook on one face, a bow on the other. In the earlier second millennium direct influence from Mesopotamia and Syria was strong, but Anatolian deities—a god of violent death, a goddess of earth and nature, the hunting god, the bull of thunder—took precedence.
And in not translating the appearance of Hatepuna, Daughterinlaw of the Storm god, I have followed Güterbock. 217. 191 (in worship scene before a goddess). 213. 124 A divine image of gold, small enough to hang from a priest's necklace, would be easy to protect against theft and could still be detached for purposes of worship. XLId). As in many Hittite figures, the head is stretched forward, giving an intent look which has led George Hanfmann to believe she (or he) is busying herself attentively,125 possibly stirring a brew.
An Introduction to the History of Modern Arabic Literature in Egypt (Studies in Arabic Literature , No 10) by J Brugman